The Film Camila Essay -- Maria Luisa Bemberg Movies essays papers

The movie theatre Camila was produced in 1984 and directed by mare Luisa Bemberg (1922-1955). Based on the true story of Camila OGorman, an Argentine woman who falls in love with a priest in 1840s Buenos Aires, this story dealt with the terrifying reign of Juan Manuel de Rosas. Camila is from an influential family and is betrothed to a Rosas loyalist. She is passionate and daring, just like her grandmother, and reads books that have been censored by the pitiless Rosas. When she falls in love with Father Ladislao, the two flee Buenos Aires and appropriate new identities as school teachers in a small village. During a party, a priest from Ladislaos old church recognizes Ladislao and turns them both in. They are both executed by firing squad even though Camila is pregnant. The director, Maria Luisa Bemberg was a famous director known for attracting actors like Imanol Arias who were already established in their careers. Her most famous films are Camila (1984), I, Worst of all(pren ominal) (1990), and I Dont Want to Talk About It (1990) (McClennon). some(prenominal) of her films, including Camila had similar themes. She often criticized patriarchies and authoritarianism by telling stories of courageous women who dealt with diachronic events that had direct effects on women. Camilas father, Aldolfo OGorman, represents a more than intimate version of Rosas. He brings the terror of the government into her home, reminding her daily that she should do only as a respectful and loyal socialite woman is expected. He is obsessed with moral obligations as outlined by the Catholic Church, and too loyalty to family, church, and state. However, the familys loyalty is meant for the male head of the house. The first sights of the film show Camila playing with kittens, then cuts to the servant who is carrying out her localizes to drown the kittens. This scene immediately develops the cruelty the film will display within the OGorman family and the terror of the Rosas reg ime. Later, he scolds her at the dinner table, in front of guests, for wondering(a) Rosass laws and ideals. Taken to extremes, he even turns her unto Rosas when she elopes. d also represents the order of repression in the movie. Rosas oppresses the men unfairly, and then they go home and do the comparable to their wives and daughters. Camila is also inspired by her grandmother, Ana Perichon. La Perichona was known to be... ...t loved ones decollate heads on spikes in the square. Red was indeed the color of the ruling party, and neurotic adherence to the mandate to always wear read was not optional, further mandatory for life (Wilson). Other details like the lace scarves indistinct to mass, the banned books, the frequency of mass, and the clothes were customary for the time period. Because Camila was released shortly after(prenominal) the end of the Argentine Proceso, it was clearly a timely criticism of monocracy in Argentina. The real story of Camila occurred in a time by -line a brief bout with democracy. This film could be seen as a cautionary tale in terms of warning against ever travel to that form of government. If this, indeed, was Bembergs intentions, she was a brave, courageous woman that would have do a great character in one of her own films. whole works Cited Barrera, Adriana, et al. Cinergia Movie File Camila. 10 Apr. 2001. 15 Feb. 2005 . Cagliani, Martin. Argentine Women. University of Buenos Aires. 15 Feb. 2005 . McClennen, Sophia. Bemberg, Maria Luisa. 15 Feb. 2005 . Wilson, Bobbie. Camila OGorman. 2003. 15 Feb. 2005 . Wilson, Bobbie. Styles of Camila. 2002. 15 Feb. 2005 .